Jenny Conte
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The Arts: Festivals Offer Something For Everyone
In a city as big as Houston, experiencing its arts, crafts, culture and food is as easy as attending local events slated for nearly every weekend in the fall.
The International Quilt Festival will be Thursday, Oct. 30 through Sunday, Nov. 2, at the George R. Brown Convention Center. Professionals, hobbyists and amateurs will find something of interest at the 40th anniversary of this festival, which features fabric art displays, more than 1,000 vendor booths, and various quilting classes and lectures. Visit www.quilts.com.
October is the time for Bayou City Art Festival Downtown 2014, presented by the Art Colony Association. Scheduled for Oct. 11-12, the event features 300 artists, 19 disciplines, 16 nonprofits, music, food and Creative Zones. New this year is the Bayou City After Dark, 5-9:30 p.m. Saturday, featuring concerts and cocktails. Visit www.artcolonyassociation.org.
Save the date in November for the Houston Cinema Arts Festival The event will be held Nov. 12-16, presented by the Houston Cinema Arts Society, a nonprofit organization dedicated to offering media installations, performances and innovative films.
Venues range from the Museum of Fine Arts, Houston to the Sundance Cinema, with additional spaces to be announced. This year’s spotlight screening will highlight Texas.
see full article at www.chron.com
HCAF Announces 2014 Dates and HCAS receives NEA grant
Media Contacts:
Mark Sullivan / Nick Scurfield
On the Mark Communications
713-978-5050
mark@onthemarkcom.com
nick@onthemarkcom.com
FOR IMMEDIATE RELEASE
HOUSTON – On the heels of a successful 2013 festival that featured an array of notable actors, directors, producers, live performances and Academy Award-nominated films, the Houston Cinema Arts Society (HCAS) announces today that its 2014 Houston Cinema Arts Festival (HCAF 2014) will take place from Nov. 12-16.
HCAS has received a $10,000 grant from the National Endowment for the Arts to help support the HCAF, which is the only U.S. festival dedicated to films by and about the visual, performing and literary arts. HCAS was one of seven institutions in Houston and 22 in Texas to receive a 2014 grant from the NEA, an independent federal agency that funds and promotes artistic excellence, creativity and innovation for the benefit of individuals and communities.
“We are so pleased with the success of the latest Houston Cinema Arts Festival and the outpouring of positive feedback from across the city,” HCAS Executive Director Trish Rigdon said. “With the generous support of the NEA and other partners, as well as our passionate volunteers and supporters, we fully expect 2014 to deliver our best festival yet and truly establish it as an integral part of Houston’s cultural fabric.”
HCAF 2013 presented 68 films, exhibitions and live performances during its five-day run, hosted primarily at Downtown and Museum District venues including Sundance Cinemas Houston and the Museum of Fine Arts, Houston (MFAH).
The 2013 festival launched in spectacular fashion at the MFAH with the red-carpet Houston premiere of Oscar-nominated documentary Cutie and the Boxer, followed by a Q&A with Houston-born director Zachary Heinzerling and film subjects Ushio and Noriko Shinohara.
HCAF 2013 closed with the world premiere of Houston Ballet: Breaking Boundaries, presented by international star Debbie Allen, director John Carrithers, producer Delicia Harvey and former/current Houston Ballet Artistic Directors James Clouser, Ben Stevenson and Stanton Welch; and An Unreal Dream: The Michael Morton Story, with an emotional post-film discussion featuring Morton, director Al Reinert and Houston attorney John Raley.
Among the highlights of the festival were a special 20th anniversary screening of Dazed and Confused with Houston-born director Richard Linklater, who received HCAF’s annual Levantine Cinema Arts Award; a sneak preview of Lucky Them with Oscar-nominated actor Thomas Haden Church, director Megan Griffiths and producers Emily Wachtel and Amy Hobby; Nebraska (nominated for six Academy Awards, including Best Picture) with actor Will Forte and producer Ron Yerxa; and August: Osage County – whose stars Meryl Streep (Best Actress) and Julia Roberts (Best Supporting Actress) both earned Oscar nominations – presented by screenwriter, Pulitzer Prize-winning playwright and Homeland star Tracy Letts.
HCAF’s Film Festival Field Trip program hosted over 600 middle school and high school students free of charge at interactive daytime screenings of Oscar-nominated Ernest and Celestine (Best Animated Film), Chasing Shakespeare, An Unreal Dream: The Michael Morton Story and Jamel Shabazz: Street Photographer.
“Artistically, it was an especially exciting year for us,” HCAF Artistic Director Richard Herskowitz said. “We had a tremendous programming lineup of not only well-known Hollywood actors and directors, but legendary experimental filmmakers like Jonas Mekas and Barbara Hammer as part of our Cinema on the Verge series, international guests like Argentine director Matias Piñeiro and the Chinese director and actors accompanying The Love Songs of Tiedan, and four outstanding live music and film performances.”
The Houston Cinema Arts Festival – a program of HCAS – could not do all it does for the Bayou City without its slate of first-class sponsors who have been with HCAF for multiple years, such as Anadarko Petroleum, Houston First Corporation, Levantine Films, Champion Energy Services, Amegy Bank and the City of Houston through the Houston Arts Alliance.
ABOUT THE HOUSTON CINEMA ARTS SOCIETY
Houston Cinema Arts Society is a non-profit organization created in 2008 with the support of former Houston Mayor Bill White and the leadership of Franci Crane. HCAS organizes and hosts the annual Houston Cinema Arts Festival, a groundbreaking and innovative arts festival featuring films and new media by and about artists in the visual, performing and literary arts. The festival celebrates the vitality and diversity of the arts in Houston and enriches the city’s film and arts community. HCAS sponsors include the Crane Foundation, a grant from the City of Houston through the Houston Arts Alliance, Levantine Entertainment, Houston First Corporation, Anadarko Petroleum Corporation, Champion Energy Services, Amegy Bank of Texas, The Brown Foundation, Inc. and others. The project is also supported in part by an award from the National Endowment for the Arts, and the Texas Commission on the Arts. The 2013 Houston Cinema Arts Festival was held Nov. 6-10. For more information, please visit HCAS at www.cinemartsociety.org.
HCAF 2013 welcomes Debbie Allen and Mary Beth Hurt
Media Contacts:
Mark Sullivan / Nick Scurfield
On the Mark Communications
713-978-5050
mark@onthemarkcom.com
nick@onthemarkcom.com
FOR IMMEDIATE RELEASE
HOUSTON – Internationally renowned dancer, choreographer and director Debbie Allen has been confirmed as a late addition to the list of special guests at the Nov. 6-10 Houston Cinema Arts Festival. She will be part of a large group of notables on hand for the world premiere of the Houston Ballet: Breaking Boundaries documentary on Sunday, Nov. 10, at the Museum of Fine Arts, Houston, at 4:00 PM.
Allen joins a distinguished group of participants for a Q&A session that will follow the Houston Ballet: Breaking Boundaries premiere: John Carrithers, the film’s director; Delicia Harvey, the film’s producer; James Clouser, Houston Ballet Artistic Director from 1975-76; Ben Stevenson, Houston Ballet Artistic Director Emeritus who led the company from 1976-2003; and Stanton Welch, Houston Ballet Artistic Director from 2003 to present.
Allen, a Houston native, became Houston Ballet’s first African-American dancer in 1964. She has since gone on to an illustrious career that includes three Emmy Awards for choreography, and two Emmys and one Golden Globe for her role as Lydia Grant in the hit series Fame. She has choreographed the Academy Awards 10 times, produced the Steven Spielberg epic film Amistad, directed A Different World, Polly and episodes of NBC’s Fresh Prince of Bel Air and Quantum Leap and was appointed by President George W. Bush in 2001 as a member of the President’s Committee on the Arts and Humanities.
Another late addition to HCAF 2013 is actress Mary Beth Hurt, star of The Volunteer. She will join already announced guest artists for the post-film discussion, director Vicky Wight and lead actress Aunjanue Ellis. The Volunteer will screen Monday, Nov. 11, at 7:15 PM as part of the “Spotlight On Houston” showcase at Sundance Cinemas downtown. A three-time Tony Award nominee for her Broadway performances in Trelawny of the Wells, Crimes of the Heart (for which she won an Obie) and Benefactors, Hurt is a veteran of many big-screen roles including Joey in Woody Allen‘s dramatic film Interiors (1978), Laura in Chilly Scenes of Winter (1979), Helen Holm Garp in The World According to Garp (1982) and Regina Beaufort in Martin Scorsese‘s The Age of Innocence (1983).
While HCAF 2013 begins on Nov. 6, Festival Headquarters opened on Saturday for festival goers, Houston Cinema Arts Society members and sponsors to pick up their passes. Located at 1201 Main St. in downtown Greenstreet (formerly Houston Pavilions, on the 1st Level across from Forever 21), HCAF 2013 headquarters will feature “Cinema on the Verge” programming in the Cinema 16 Microcinema, including an immersive four-screen feature film installation by artist Meredith Danluck titled North of South, West of East. The film, which has only shown at three other festivals in the world, will screen on average twice daily during the festival. A remarkable achievement in multi-linear storytelling and pop-culture black comedy, it will be shown to an audience of 24 people seated on swivel chairs, surrounded by four screens, with performances by Ben Foster, Stella Schnabel and Sue Galloway and a soundtrack by Marfa punk band Solid Waste.
In addition to the Cinema 16 screenings, Festival Headquarters features two art exhibits. One is Réquiem NN, a photography installation by Juan Manuel Echavarría comprised of close-up photographs of the decorated tombs of NN’s (no-names), unidentified bodies pulled from the Magdalena River, victims of the violent massacres that ravage the Colombian countryside. Echavarría will discuss the installation and present his film, Réquiem NN, in the Cinema 16 screening room on Sunday, Nov. 10, at 3:45 PM.
HCAF 2013 headquarters also feature a Transmedia Showcase, a display of interactive transmedia applications by and about pioneering film and new media animators Norman McLaren, Joanna Priestley, Jeff Scher, Richard Williams and Yung Jake. Viewers will be able to select and view animations by legendary Canadian animator Norman McClaren and contemporary New York animator Jeff Scher. They also will be able to play with interactive animation apps created by experimental animator Joanna Priestley and the hip-hop new media artist and musician Yung Jake. Attendees also can engage with the remarkable interactive animation lessons taught by Richard Williams, considered by many the greatest of all teachers of animation. Williams is the subject of Persistence of Vision, a film screening in this year’s festival on Saturday, Nov. 9, at 3:30 PM at Sundance.
From now through Nov. 10, Houstonians and visitors can visit the Festival Headquarters to view trailers of the films screening at HCAF 2013 this year and also watch Q&As from the past four years of the festival.
ABOUT THE HOUSTON CINEMA ARTS SOCIETY
Houston Cinema Arts Society is a non-profit organization created in 2008 with the support of former Houston Mayor Bill White and the leadership of Franci Crane. HCAS organizes and hosts the annual Houston Cinema Arts Festival, a groundbreaking and innovative arts festival featuring films and new media by and about artists in the visual, performing and literary arts. The festival celebrates the vitality and diversity of the arts in Houston and enriches the city’s film and arts community. HCAS sponsors include the Crane Foundation, a grant from the City of Houston through the Houston Arts Alliance, Levantine Entertainment, Houston First Corporation, Anadarko Petroleum Corporation, Champion Energy Services, Amegy Bank of Texas, The Brown Foundation, Inc. and others. The project is also supported in part by an award from the National Endowment for the Arts, and the Texas Commission on the Arts. The 2013 Houston Cinema Arts Festival was held Nov. 6-10. For more information, please visit HCAS at www.cinemartsociety.org.
HCAF 2013 Unveils Full Programming And Special Tribute
Media Contacts:
Mark Sullivan / Nick Scurfield
On the Mark Communications
713-978-5050
mark@onthemarkcom.com
nick@onthemarkcom.com
FOR IMMEDIATE RELEASE
HOUSTON – The 2013 Houston Cinema Arts Festival (HCAF), which annually celebrates artists in the visual, performing, and literary arts, unveiled a series of programming announcements and special tributes today including the bestowing of its annual Levantine Cinema Arts Award to director Richard Linklater. The award presentation will be followed by a special 20th anniversary screening of his teen movie classic, Dazed and Confused. A sneak preview of a new film presented by actor Thomas Haden Church, a screening of Nebraska with actor Will Forte and a special presentation of August: Osage County with scribe Tracy Letts join the roster of 60 events during the Nov. 6-10 festival, including four live music and film performances and an immersive four-screen feature film.
Linklater, born in Houston and raised in nearby Hunstville, has been a supporter of the HCAF since its inception. He attended the festival in 2009 with Me and Orson Welles and brought his friend Ethan Hawke to join him in presenting Tape in 2011. He will receive the Levantine Award amidst a career renaissance with the 2013 release of one of his finest and most popular films, Before Midnight, following 2012’s equally well-received Bernie.
Prolific producer Ron Yerxa of Bona Fide Productions will be honored at HCAF 2013 with a tribute as he brings his anticipated film Nebraska, accompanied by lead actor Will Forte, to the festival along with Charlie Countryman, represented by director Fredrik Bond. Yerxa and Albert Berger formed Bona Fide Productions in 1993, and their acclaimed productions include King of the Hill (1993), Election (1999), Cold Mountain (2003), Little Miss Sunshine (2006), Little Children (2006) and Ruby Sparks (2012). Forte, a Saturday Night Live cast member from 2002-10, also stars in the upcoming Life of Crime, the adaptation of Elmore Leonard’s novel The Switch. Bond, born in Sweden, is an award-winning advertising director; Charlie Countryman is his first feature.
Oscar-nominated actor Thomas Haden Church will be in attendance with a sneak preview of an unannounced title in advance of its official American premiere this year or next. Director Megan Griffiths and writer/producer Emily Wachtel will accompany Church, who achieved television stardom as the dimwit mechanic Lowell Mather on Wings in the 1990s. Church also made appearances in Tombstone and Broken Trail and had an Academy Award-nominated and Independent Spirit-winning role as an aging playboy in Sideways in 2004. Raised in Laredo, Texas, Church purchased the 2,000-acre Jake Short Ranch in Bandera County in 1999 and runs four cattle ranches and a commercial beef operation in the vicinity.
Writer and actor Tracy Letts will present a screening of August: Osage County, his screenplay based on the play for which he won a Tony Award and the Pulitzer Prize for Drama in 2008. A sensation at the recent Venice and Toronto Film Festivals, the film tells the dark, hilarious and deeply touching story of the strong-willed women of the Weston family. It features outstanding performances from Meryl Streep, Julia Roberts and more.
August: Osage County is one of three Weinstein Company films in the HCAF lineup this year, along with Philomena and One Chance. Philomena was a runner-up for Toronto’s People’s Choice Award. Based on an investigative book by Martin Sixsmith, it details the efforts of a mother to find her son, born out of wedlock, whom she was forced to give up for adoption decades ago, and stars Steve Coogan and Dame Judi Dench. One Chance is the remarkable and inspirational true story of Paul Potts, a shy, bullied shop assistant by day and amateur opera singer by night who became a YouTube phenomenon after being selected for the show Britain’s Got Talent. Fresh off a Tony-winning Broadway run in One Man, Two Guvnors, BAFTA winner James Corden stars as Potts as part of an acclaimed ensemble cast that includes Julie Walters, Mackenzie Crook, Colm Meaney, and rising star Alexandra Roach.
Opening the festival will be Houston native Zachary Heinzerling’s Cutie and the Boxer, complete with a rare public appearance of the real-life artists and film subjects Ushio and Norika Shinohara. The film is a candid and highly entertaining New York love story exploring the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife Noriko. Ushio is known for his abstract paintings, upon which he uses boxing gloves to apply paint, and for his fantastical cardboard figures, while Noriko has gained attention for her inky cartoon-like drawings. Heinzerling was born and raised in Houston and graduated from St. John’s School and the University of Texas at Austin before moving to New York, where he currently lives.
HCAF 2013 will host two of the United States’ preeminent experimental filmmakers, Jonas Mekas and Barbara Hammer, as part of its annual Cinema on the Verge series of experimental films and installations. Mekas, 90, will present his feature Sleepless Nights Stories and conduct a tour of his photography and video exhibition at the Deborah Colton Gallery. Hammer, 74, whose pioneering works of experimental and queer cinema have been celebrated worldwide, will offer a live performance of a new work inspired by Pier Paolo Pasolini, Witness: Palestine, a program of artist portraits, and a pre-festival Master Class at the Glassell School of Art with HCAF Artistic Director Richard Herskowitz devoted to her classic works, including Optic Nerve, Dyketactics, Sanctus, Nitrate Kisses, and Generations.
In addition to the tributes to Mekas and Hammer, HCAF’s Cinema on the Verge at the film festival headquarters in downtown Houston will also present Meredith Danluck’s North of South, West of East, an immersive four-screen feature film installation, and Time Shift: The Films of Scott Stark, both accompanied by the artists. A film and photography installation titled Réquiem NN will be presented by guest Colombian artist Juan Manuel Echavarría.
This year’s program is overflowing with international guests. Matias Piñeiro, considered one of the most exciting new directors enlivening the perennially youthful Argentine cinema, will attend this year with his a complete career retrospective on his four features: Viola, Rosalinda, They All Lie and The Stolen Man. The 31-year old director mixes melodrama with sentimental comedy and philosophical conundrum with matters of the heart in his latest film, Viola, which bears all the signature traits of a Piñeiro film: serpentine camera movements and slippages of language, an elliptical narrative and a playful confusion of reality and artifice. Another international highlight will be the bawdy and adventurous Chinese musical comedy The Love Songs of Tiedan, accompanied at the Asia Society Texas Center by an ensemble from China that includes director Hao Jie and actors Feng Si, Yelan Jiang and Ge Xia. Following the screening, the actors will give a special live performance of the “er ren tai” style of Chinese singing featured in the movie.
Live musical performances in the festival program also include a short acoustic set by The Hard Pans (Jimmy Smith and Claude Bernard of popular Austin band The Gourds) after a presentation of The Gourds documentary, All the Labor. And Jeremy Rourke, voted “best new animator/musician” by the San Francisco Weekly in 2011, will give a live music and film performance. Music film classic Wild Style, celebrating its 30th anniversary, will be represented by director Charlie Ahearn, who will also show his new feature documentary Jamel Shabazz Street Photographer.
As part of the festival’s annual goal to highlight the work of Texas filmmakers, HCAF will present An Unreal Dream: The Michael Morton Story directed by two-time Academy Award-nominated filmmaker Al Reinert as the closing night film. The festival also will present the world premiere of John Carrithers’ Houston Ballet documentary with special guests from the Houston Ballet past and present, along with Chasing Shakespeare, presented by Dallas-based director Norry Niven. The Houston Film Commission will present the Texas Filmmakers Showcase featuring the best of Texas short films and videos.
Films by and about artists are the central focus of the festival each year. Arts films highlights this year include Before the Spring, After the Fall, in which filmmaker Jed Rothstein (attending) observes the Egyptian revolution through the vantage point of an Egyptian female heavy metal musician. Filmmaker Jonathan Holiff will present his portrait of his father, manager Saul Holiff, and his volatile relationship with his client, Johnny Cash (My Father and the Man in Black), while Kevin Schreck will present his portrait of animation genius Richard Williams, Persistence of Vision. Enzo Avitabile: Music Life is an unforgettable portrait by Oscar®-winning director Jonathan Demme that captures the passion and brilliance of Enzo Avitabile, a world-renowned Neapolitan saxophonist and singer/songwriter. Narco Cultura captures the devastation wreaked by drug cartels and uses stunning imagery to capture musicians whose music portrays the traffickers as glamorous outlaws. The Ballad of the Weeping Spring is an Israeli spaghetti musical western about the reunion of a band of Mizrahi musicians. Two French animated films, Approved for Adoption and Ernest and Celestine, offer portrayals of artists, human and animal. Shepard & Dark explores the friendship of Sam Shepard and Johnny Dark and the perils of long-term friendship. It will be preceded at the festival by Harry Dean Stanton: Partly Fiction and followed by Wim Wenders’ Houston-filmed Paris, Texas, written by Sam Shepard and starring Harry Dean Stanton.
HCAF 2013 will center on venues in downtown Houston and the Museum District within easy access of the Metro Rail Red Line and B-Cycle stations. Venues include Sundance Cinemas Houston, Museum of Fine Arts, Houston (MFAH), Asia Society Texas Center and hotel partner The Sam Houston Hotel – giving HCAF the added and legitimate claim of being a truly walkable festival – along with the nearby Aurora Picture Show and Project Row Houses Eldorado Ballroom.
The announcements were made today at the 2013 HCAF Launch event at the Sam Hotel by HCAF Executive Director Trish Rigdon and HCAF Artistic Director Richard Herskowitz.
ABOUT THE HOUSTON CINEMA ARTS SOCIETY
Houston Cinema Arts Society is a non-profit organization created in 2008 with the support of former Houston Mayor Bill White and the leadership of Franci Crane. HCAS organizes and hosts the annual Houston Cinema Arts Festival, a groundbreaking and innovative arts festival featuring films and new media by and about artists in the visual, performing and literary arts. The festival celebrates the vitality and diversity of the arts in Houston and enriches the city’s film and arts community. HCAS sponsors include the Crane Foundation, a grant from the City of Houston through the Houston Arts Alliance, Levantine Entertainment, Houston First Corporation, Anadarko Petroleum Corporation, Champion Energy Services, Amegy Bank of Texas, The Brown Foundation, Inc. and others. The project is also supported in part by an award from the National Endowment for the Arts, and the Texas Commission on the Arts. The 2013 Houston Cinema Arts Festival was held Nov. 6-10. For more information, please visit HCAS at www.cinemartsociety.org.
CultureMap 10-13-12 When Paintings Perform
I pressed a button and a painting performed for me.
Gregorio Vardanega’s painting Espaces Chromatiques Carrées en Spirale, part of the Constructed Dialogues: Concrete, Geometric, and Kinetic Art from the Latin American Art Collection, is on view at the Museum of Fine Arts, Houston until Jan. 6.
It doesn’t take much to mix the disciplines. Too many artists over blend, leaving a hodgepodge of layering that ends up feeling like a ball of gray Play-Doh. Even the word “multidisciplinary” makes me yawn. Been there, done that, enough already.
I prefer subtler concoctions, where an event crosses a fine line to become something else. My home is in the performing arts, so I tend to turn everything into a performance.
As a byproduct of my dance training, I come equipped with motion detector. As an experimental theater lover, I look for the smallest whiff of theatricality. And, as someone continually perplexed by performance art, I seek every opportunity to understand its history and lineage.
see full article at www.houston.culturemap.com